“I think that when Americans talk about the Vietnam War … we tend to talk only about ourselves. But if we really want to understand it … or try to answer the fundamental question, ‘What happened?’ You’ve got to triangulate,” says filmmaker Ken Burns of his celebrated PBS documentary series “The Vietnam War.” “You’ve got to know what’s going on. And we have many battles in which you’ve got South Vietnamese soldiers and American advisors or … their counterparts and Vietcong or North Vietnamese. You have to get in there and understand what they’re thinking.”
Burns and his co-director Lynn Novick spent 10 years on “The Vietnam War,” assisted by their producer Sarah Botstein, writer Geoffrey Ward, 24 advisors, and others. They assembled 25,000 photographs, feature close to 80 interviews of Americans and Vietnamese, and spent $30 million on the project. The resulting 18-hour series is a marvel of storytelling, something in which Burns and Novick take obvious pride. “The Vietnam War” provides lots of great vintage film footage, stunning photos, a solid Age of Aquarius soundtrack, and plenty of striking soundbites. Maybe this is what Burns means by triangulation. The series seems expertly crafted to appeal to the widest possible American audience. But as far as telling us “what happened,” I don’t see much evidence of that.
Like Burns and Novick, I also spent a decade working on a Vietnam War epic, though carried out on a far more modest budget, a book titled “Kill Anything That Moves.” Like Burns and Novick, I spoke with military men and women, Americans and Vietnamese. Like Burns and Novick, I thought I could learn “what happened” from them. It took me years to realize that I was dead wrong. That might be why I find “The Vietnam War” and its seemingly endless parade of soldier and guerrilla talking heads so painful to watch.
Amy Goodman speaks with Andrew Cockburn, whose latest piece is headlined ‘Crime and Punishment: Will the 9/11 case finally go to trial?‘ (Democracy Now!)
Juan Gonzalez and Amy Goodman speak with Robert Kuttner, co-founder and co-editor of the liberal magazine The American Prospect, about his telephone interview with Steven Bannon prior to him leaving the Trump White House. (Democracy Now!)
So why exactly did the KLF set £1m on fire? It’s been a burning question for 23 years, as pop’s greatest provocateurs chose to let rumour, conjecture and myth around the publicity stunt – held on the Scottish island of Jura and ending their career on 23 August 1994 – swirl about unanswered for two decades. Until now.
The project formed by Bill Drummond and Jimmy Cauty in 1987, which has lain dormant in a self-imposed moratorium of 23 years, returned at 00.23am on the morning of Wednesday 23 August. As Drummond and Cauty drove into a backstreet of Liverpool in an ice-cream van to begin three days of events, their first new work – a trilogy of dystopian fiction, an “end of days story”, called 2023: A Trilogy – simultaneously dropped online.
Yet this is not a book for those looking for straightforward answers, and is as obtuse as the KLF themselves, who have published it under their other moniker, the Justified Ancients of Mu Mu. It is a multi-layered, self-referential meta tale, starting with two undertakers, Cauty and Drummond, who discover a life-changing book called 2023: A Trilogy on a hotel bookshelf. It was written by “George Orwell”, the pseudonym for one Roberta Antonia Wilson, 33 years ago. “What you are about to read is what they read – well almost,” reads the preface, adding that it has been translated from Ukrainian.
[…] A rightward shift is afoot in Latin American politics. Triumphant socialist governments had once swept the region for much of the 21st century – from Argentina’s Cristina Fernández de Kirchner to land reform populist Manuel Zelaya in Honduras – championing new programs for the poor, nationalizing businesses, and challenging U.S. dominance in hemispheric affairs.
In recent years, however, leftist leaders have fallen one after another, sometimes in spectacular fashion. Zelaya was led from the presidential palace in his pajamas in a military coup; in Argentina, a real-estate baron swept to the presidency and Kirchner was indicted for corruption; and in Brazil, the ruling Workers’ Party, facing a growing corruption scandal and a mass protest movement, was swept out of office via impeachment over charges of budget chicanery.
This shift might appear as part of a larger regional rebalancing, merely economic circumstances taking hold. And yet the Atlas Network seems ever-present, a common thread nudging political developments along.
The story of the Atlas Network and its profound impact on ideology and political power has never been fully told. But business filings and records from three continents, along with interviews with libertarian leaders across the hemisphere, reveal the scope of its influential history. The libertarian network, which has reshaped political power in country after country, has also operated as a quiet extension of U.S. foreign policy, with Atlas-associated think tanks receiving quiet funding from the State Department and the National Endowment for Democracy, a critical arm of American soft power.
Though recent investigations have shed light on the role of powerful conservative billionaires, such as the Koch brothers, in developing a business-friendly version of libertarian thought, the Atlas Network, which receives funding from Koch foundations, has recreated methods honed in the Western world for developing countries.
The network is expansive, currently boasting loose partnerships with 450 think tanks around the world. Atlas says it dispensed over $5 million to its partners in 2016 alone.
Over the years, Atlas and its affiliated charitable foundations have provided hundreds of grants to conservative and free-market think tanks in Latin America, including the libertarian network that supported the Free Brazil Movement and organizations behind a libertarian push in Argentina, including Fundación Pensar, the Atlas think tank that merged with the political party formed by Mauricio Macri, a businessman who now leads the country. The leaders of the Free Brazil Movement and the founder of Fundación Eléutera in Honduras, an influential post-coup neoliberal think tank, have received financial support from Atlas, and are among the next generation of political operatives that have gone through Atlas’s training seminars.
The Atlas Network spans dozens of other think tanks across the region, including prominent groups supporting right-wing forces behind the unfolding anti-government movement in Venezuela and the campaign of Sebastián Piñera, the right-of-center candidate leading the polls for this year’s presidential election in Chile.
Amy Goodman speaks with Lee Fang of The Intercept about the above piece on the Atlas Network’s involvement in Latin American politics (Democracy Now!)
Amy Goodman speaks with Mark Bray about one of the groups who confronted the white supremacists in the streets, the antifascists known as Antifa. Bray is the author of the new book titled Antifa: The Anti-Fascist Handbook. (Democracy Now!)
The UK’s “mindfulness mega-trend” shows no sign of running out of breath, with sales of “mind, body, spirit” books booming, against a background of slowing sales elsewhere on the shelves.
Topped by Buddhist monk Haemin Sunim’s The Things You Can See Only When You Slow Down, a guide to “how to be calm in a busy world” that has sold more than 43,000 copies this year, sales of titles offering spiritual assistance are up by almost 13.3% in volume in 2017, according to sales monitor Nielsen Book. This sits against a total consumer market drop of 1.6% on the same measure.
Rhonda Byrne’s perennial bestseller The Secret is the next-best performer, with 29,000 print sales. Other hits include Eckhart Tolle’s 1999 guide to spiritual enlightenment, The Power of Now, Gabrielle Bernstein’s The Universe Has Your Back, Louise Hay’s You Can Heal Your Life and Dominique Loreau’s L’art de la Simplicite: How to Live More With Less.
In fourth place is the Dalai Lama and Desmond Tutu’s The Book of Joy, with sales of more than 12,000 copies so far this year. Its premise perhaps best sums up what anxious book buyers have been looking for this year: “How do we find joy in the face of life’s inevitable suffering?”
Andrew Bacevich: Trump’s Handling of North Korea, His First National Security Crisis, is Very Troubling
Amy Goodman speaks with Andrew Bacevich, retired colonel and professor emeritus of international relations and history at Boston University. (Democracy Now!)
Blackwater Founder Erik Prince Urges Trump to Privatize Afghan War and Install Viceroy to Run Nation
Amy Goodman speaks with longtime investigative journalist and activist Allan Nairn about the White House considering an unprecedented plan to privatize the war in Afghanistan at the urging of Erik Prince, founder of the now-defunct private mercenary firm Blackwater. Prince told USA Today the plan would include sending 5,500 private mercenaries to Afghanistan to advise the Afghan army. It would also include deploying a private air force—with at least 90 aircraft—to carry out the bombing campaign against Taliban insurgents. The plan’s consideration comes as a federal appeals court has overturned the prison sentences of former Blackwater contractors who were involved in a 2007 massacre in Nisoor Square in central Baghdad, killing 17 civilians when they opened fire with machine guns and threw grenades into the crowded public space. (Democracy Now!)
North Korea, officially the Democratic People’s Republic of Korea, long has been called “the Hermit Kingdom,” as the ancient Korean monarchy was known. The moniker long irritated DPRK officials, though 25 years ago when I first visited it was more accurate. There weren’t many Western travelers and engaging in common American activities, such a jogging, which I did every day, garnering stares from virtually everyone—though, even more weirdly, virtually no one made eye contact. On this trip, in response to an invitation from the Institute for American Studies of the Foreign Ministry, there were few stares.
Unfortunately, the Trump administration plans to ban travel by Americans to the North as of September 1. That’s a mistake, since U.S. visitors both educate North Koreans and are educated by North Koreans. It is a process that encourages social transformation and long term change in the DPRK, which is desperately needed in a system of monarchical communism which holds an entire population in bondage.
Although more Westerners visit the North today, Beijing remains the primary entry point. You can fly in on Air Koryo, as I did, or Air China, though the latter is known to adjust its service to reflect both economics and politics. Perhaps someday American airports will display Pyongyang as a destination. But not in the near future, since it soon will be illegal for Americans to travel to the DPRK. At least, their passports will be tagged as invalid for travel there. But Pyongyang could accept them anyway. I suspect Americans will continue to visit, just as Americans routinely traveled to Cuba illicitly despite the only recently modified ban.
Amy Goodman speaks with two-time Emmy Award-winning journalist John Carlos Frey, whose new investigation in partnership with ABC’s “20/20” is titled ‘Life and Death at the Border’. (Democracy Now!)
Juan Gonzalez and Amy Goodman speak with Professor Ervand Abrahamian, author of Iran Between Two Revolutions, about the newly declassified State Department documents which show oil contracts played a key role in the U.S.-backed 1953 coup in Iran that led to the overthrow of the democratically elected Prime Minister Mohammad Mosaddegh. (Democracy Now!)
[…] The degenerate autocracy of Aldous Huxley’s Brave New World runs on soft power – sex and drugs and suggestion. George Orwell foresaw an inhuman future controlled by the stark yet artful lies of a brutal surveillance state. But Vonnegut, who had worked at General Electric just after the second World War, saw a future where engineers and managers would sincerely do their best to improve the world by building ever more efficient machines to do all the work for us. The result: a new form of dystopia.
In Player Piano’s future America, the old professions and trades have been automated, one by one, until only the oligarchs, engineers and senior managers still have real jobs – and even they are beginning to automate themselves out of existence. Everyone else of working age has been drafted to the army (but without loaded guns, for fear that they’ll mutiny) or assigned to a catch-all, make-work programme called the Reconstruction and Reclamation Corps – “Reeks and Wrecks”.
Doctors and lawyers, but not dentists or barbers, are already obsolete. Theoretical science faculties in the surviving universities, being of little practical use, have been amalgamated with the remnants of the schools of liberal arts, their old facilities taken over for yet more schools of engineering. A few writers are still tolerated, but they have to conform to one of 12 practical, sure-sale genres, such as dog story of the month, or else go into public relations.
Joshua Green on his new book: Devil’s Bargain: Steve Bannon, Donald Trump and the Storming of the Presidency
Amy Goodman speaks with Bloomberg journalist Joshua Green, the author of a new book titled Devil’s Bargain: Steve Bannon, Donald Trump and the Storming of the Presidency. (Democracy Now!)
Amy Goodman speaks with Bloomberg journalist Joshua Green about two men who influenced Steve Bannon’s philosophy: the Italian philosopher Julius Evola, whose ideas became the basis of fascist racial theory, and René Guénon, who developed an anti-modernism philosophy called ‘Traditionalism’. Green writes about Evola and Guénon in his new book titled Devil’s Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency. (Democracy Now!)
In the first interview, Amy Goodman speaks with Croatian philosopher Srećko Horvat, co-founder of the Democracy in Europe Movement (DiEM25). In the second interview, Jaisal Noor speaks with South African activist Patrick Bond, while demonstrators from the G20 protests in Hamburg also provide their views. (Democracy Now!/The Real News)
Jaisal Noor speaks with historian Gerald Horne about Trump’s latest attack on the media and an alarming new NRA recruitment video. (The Real News)
[…] Margaret Atwood has long been Canada’s most famous writer, and current events have polished the oracular sheen of her reputation. With the election of an American President whose campaign trafficked openly in the deprecation of women—and who, on his first working day in office, signed an executive order withdrawing federal funds from overseas women’s-health organizations that offer abortion services—the novel that Atwood dedicated to Mary Webster has reappeared on best-seller lists. “The Handmaid’s Tale” is also about to be serialized on television, in an adaptation, starring Elisabeth Moss, that will stream on Hulu. The timing could not be more fortuitous, though many people may wish that it were less so. In a photograph taken the day after the Inauguration, at the Women’s March on Washington, a protester held a sign bearing a slogan that spoke to the moment: “make margaret atwood fiction again.”
If the election of Donald Trump were fiction, Atwood maintains, it would be too implausible to satisfy readers. “There are too many wild cards—you want me to believe that the F.B.I. stood up and said this, and that the guy over at WikiLeaks did that?” she said. “Fiction has to be something that people would actually believe. If you had published it last June, everybody would have said, ‘That is never going to happen.’ ” Atwood is a buoyant doomsayer. Like a skilled doctor, she takes evident satisfaction in providing an accurate diagnosis, even when the cultural prognosis is bleak. She attended the Toronto iteration of the Women’s March, wearing a wide-brimmed floppy hat the color of Pepto-Bismol: not so much a pussy hat as the chapeau of a lioness. Among the signs she saw that day, her favorite was one held by a woman close to her own age; it said, “i can’t believe i’m still holding this fucking sign.” Atwood remarked, “After sixty years, why are we doing this again? But, as you know, in any area of life, it’s push and pushback. We have had the pushback, and now we are going to have the push again.”
Unlike many writers, Atwood does not require a particular desk, arranged in a particular way, before she can work. “There’s a good and a bad side to that,” she told me. “If I did have those things, then I would be able to put myself in that fetishistic situation, and the writing would flow into me, because of the magical objects. But I don’t have those, so that doesn’t happen.” The good side is that she can write anywhere, and does so, prolifically. She is equally uninhibited about genre. Atwood’s bibliography runs to about sixty books—novels, poetry, short-story collections, works of criticism, children’s books, and, most recently, a comic-book series about a part-feline, part-avian, part-human superhero called Angel Catbird. She is offhanded about her versatility. “I always wrote more than one type of thing,” she said. “Nobody told me not to.” On one occasion, over tea, she showed me her left hand: it had writing on it. “When all else fails, you do have a surface you can write on,” she said.
Amy Goodman speaks with Naomi Klein, best-selling author and Intercept senior correspondent, about her latest book, No Is Not Enough: Resisting Trump’s Shock Politics and Winning the World We Need. You can watch the full interview over at Democracy Now’s website. (Democracy Now!)
Amy Goodmand and Nermeen Shaikh speak with Duke University historian Nancy MacLean, author of the new book Democracy in Chains: The Deep History of the Radical Right’s Stealth Plan for America, about the radical right’s attempt to reshape the role of the federal government—from healthcare to education to housing. (Democracy Now!)
Aaron Maté speaks with Malcolm Byrne of the National Security Archives about the quiet release of long-awaited and long-hidden CIA documents offering key details on how the U.S. and Britain overthrew Iran’s democratic government in 1953. (The Real News)
Aaron Maté speaks with veteran investigative journalist Seymour Hersh who reports that President Trump bombed a Syrian military airfield in April despite warnings that U.S. intelligence had found no evidence that the Assad regime used a chemical weapon. His latest piece for Die Welt is titled: Trump’s Red Line. (The Real News)
Amy Goodman speaks with Dahlia Lithwick, senior editor at Slate.com and the author of the recent piece: ‘Did the court just seriously wound the separation of church and state?‘ (Democracy Now!)
U.S. Supreme Court Allows Part of Trump Travel Ban to Take Effect Before Ruling on Constitutionality
Amy Goodman speaks with Vince Warren, executive director of the Center for Constitutional Rights, and Dahlia Lithwick, senior editor at Slate.com. She is their senior legal correspondent and Supreme Court reporter, about the U.S. Supreme Court announcing that it will allow for the partial implementation of President Donald Trump’s temporary ban on travellers from six Muslim-majority countries while the court examines the constitutionality of the order. Trump’s executive order called for a 90-day ban on travellers from Libya, Iran, Somalia, Sudan, Syria and Yemen and a 120-day ban on all refugees. The court is expected to hear oral arguments in the case in October. Three justices—Clarence Thomas, Samuel Alito and Neil Gorsuch—issued a separate ruling supporting the full implementation of the travel ban. (Democracy Now!)
Abby Martin interviews investigative reporter Greg Palast about millions of people had their votes stolen during the 2016 U.S. election and how the Republicans are working towards purging millions more voters leading up to the 2018 election. (The Empire Files)
In June 2016, Gawker Media filed for bankruptcy and put itself up for auction. The company’s high-profile demise came after it lost a $140 million libel lawsuit brought by wrestler Hulk Hogan, whose sex tape had made its way to Gawker‘s readers in 2012.
Soon after the verdict, we found out that PayPal co-founder Peter Thiel—a prominent Trump supporter—was secretly funding the lawsuit in apparent revenge for a 2007 Gawker article outing him as gay. Thiel hated Gawker and its family of blogs. In 2009, Thiel said Valleywag, a tech blog owned by Gawker, possessed the “psychology of a terrorist.”
The mogul called the Hogan verdict “one of my greater philanthropic things that I’ve done.”
A new Netflix film released Friday tracks the bizarre twists and turns of the Gawkercase and its larger-than-life characters—and what happens when a secretive billionaire takes a big grudge to court and wins.
Nobody Speak: Trials of the Free Press also examines this moment of crisis for American newsrooms facing the dual threats of haemorrhaging revenue and public distrust in the time of Trump—and how the likes of Peter Thiel and billionaire casino-owner and conservative donor Sheldon Adelson can take advantage of the crisis for their own purposes.
Chuck Grassley, a Republican senator from Iowa, is known on Twitter for expressing his yearning for the History Channel to finally show some history.
The good news for Grassley, and for everyone else, is that starting Sunday night and running through Wednesday the History Channel is showing a new four-part series called “America’s War on Drugs.” Not only is it an important contribution to recent American history, it’s also the first time U.S. television has ever told the core truth about one of the most important issues of the past 50 years.
That core truth is: The war on drugs has always been a pointless sham. For decades the federal government has engaged in a shifting series of alliances of convenience with some of the world’s largest drug cartels. So while the U.S. incarceration rate has quintupled since President Richard Nixon first declared the war on drugs in 1971, top narcotics dealers have simultaneously enjoyed protection at the highest levels of power in America.
On the one hand, this shouldn’t be surprising. The voluminous documentation of this fact in dozens of books has long been available to anyone with curiosity and a library card.
Yet somehow, despite the fact the U.S. has no formal system of censorship, this monumental scandal has never before been presented in a comprehensive way in the medium where most Americans get their information: TV.
Amy Goodman and Juan Gonzalez speak to the Egyptian film director and writer, Omar Robert Hamilton. In 2011, he co-founded the Cairo-based Mosireen Collective, which worked to film and document the Egyptian revolution. Hamilton’s debut novel is just out, titled The City Always Wins. (Democracy Now!)