The Meaning of Milo

Ross Douthat writes for The New York Times:

[…] From Dubya’s evangelical conservatism to Milo’s Rimbaudian new right, from “marriage is between a man and a woman” to “well, we draw the line at ephebophilia” is a rather dizzying trajectory. But if you understand what’s happened to cultural conservatism over the last decade, the strange career of Yiannopoulos makes a striking sort of sense.

First, post-1960s social conservatism — the bigger-than-the-religious-right tent that once included a lot of moderately religious fellow travelers — has collapsed back to its zealous core. On practically every issue save abortion, liberals won the culture war decisively, and religious conservatives awoke to find themselves strangers in their own country, dismissed as bigots from liberalism’s pulpits and stuck on the wrong side of 40-60 or 30-70 public-opinion splits.

But social liberalism’s sweeping victory produced new forms of backlash — less traditionalist and more populist, less religious and more rowdy, not sacred but profane. These forms of resistance take aim at liberalism’s own forms of social-justice sanctimony, which have smothered academic life and permeated notionally apolitical arenas from late-night comedy to sportswriting. The resisters don’t exactly have a program. Instead, they’ve got a posture — a “whaddya got?” rebellion against any rules that the new liberal order sets.

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